It is a mark of the degeneracy of literary study that one is considered an eccentric for holding that the literary is not dependent upon the philosophical, and the aesthetic is irreducible to ideology or to metaphysics. Aesthetic criticism returns us to the autonomy of imaginative literature and the sovereignty of the solitary soul, the reader not as person in society but as the deep self, our ultimate inwardness. That depth of inwardness in a strong writer constitutes the strength that wards off the massive weight of past achievement, lest every originality be crushed before it becomes manifest.
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